#Fifres et tambours: Ordonnance pour les tambours de 1754 - YouTube
By Andre and Jacques Philidor, 1683
The drum march, pure and simple, was one of the main features of martial discipline, and every nation had its own particular national type. Gordon of Rothiemay records of 1637-1638 how Scottish drummers were teaching their soldiery to distinguish between "The marches of severall nationes . . . the Scottish Marche . . . the Irish Marche . . . the English Marche."1 This knowledge was a necessary item even in the economy of tactics. During the Thirty Years' War the Germans once used the Scots March so as to deceive the enemy.2 At Oudenarde the Allied drummers beat the French Retraite,which even a Vendôme could not stem.8
Warlike directions, or, The sovldiers practice set forth for the benefit of all such as are, or will be, scholars of martiall discipline, but especially for all such officers as are not yet setled or rightly grounded in the arte of warre, by a practitioner in the same art, T.F.
16th-l7th-CENTURY MILITARY MARCHES
For St. George's Day. yorkshirecorpsofdrums.com/Notes to The English March.html
The English March was officially documented in 1610 and was commanded to be preserved by a Royal Warrant in 1632. Despite its historical significance, the march's rhythm and sound have been largely lost, despite the availability of music from the 17th and 18th centuries. The English March defined the sound of the nation for four centuries, but its rhythm and sound have been almost entirely lost, despite the availability of music from the 17th and 18th centuries. The English March and Early Drum Notation on JSTOR
Ein Trommler, Blatt 3 aus der Folge „Newes Soldaten Büchlein“, herausgegeben von P. Ouverradt 1615
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| from Wars of Louis Quatorze: Carved figures from the staircase of Cromwell House, from the Survey of London |
Of a Drumme Majour. Every Regiment ought to have a Drumme-Majour, to whom when it is watch time, the other Drummes are to repaire, there to beat a call, and to march with his Company that is appointed for the guard. A Drum-ma∣jour ought to be a grave man, able to instruct the other Drums to beat a true march, and other points of warre, to see the Drummes that beat upon a march to be duely relieved, and also to speake divers tongues, and to bee wise, and cautelous what he shall speake to an Enemy.
Of the Drummers. Every company also ought to have two good Drummers, that knoweth how to beate a call, a slow, or a swift march well, a charge, a retreat, and a Reveille: He should also be a linguist, because oftentimes he may be sent unto the enemy, for the ransoming of prisoners, his duty is comming to the campe, or garison of an enemy, hau∣ing his Generalls passe in his hat, to beat a call, till he is fetcht in, and because he shall not discover the weaknesse of guards, workes, or trenches, he is led blindfold, and so carried to the Commander, and place where his prison∣ers are, with whom after he hath ransommed them, he is to returne to the camp, or garison.
JG Baroque says
This is an arrangement I made of the French fife and drum command "L'Assemblée from the French drummer's manual of 1754, which was used to signal the troops to assemble before a march.
Planche 76 du tome I de "Infanterie et Gardes françaises" par Jacques-Antoine Delaistre (1690-1765), Musée de l'Armée, inv. 10849
This image is a detail of the drummer from the famous 1642 oil painting, The Night Watch, by Dutch Golden Age artist Rembrandt van Rijn.